Not many people are aware of this but WillShootForFood and Trackday films were founded at almost exactly the same time. I contacted an ambitious Al Clark getting on for four years ago and we immediately shared the same passion and enthusiasm for an industry we were both relatively new to professionally. In the mean time collaborating on numerous projects from a host of films for JDM Allstars (now Drift Allstars) to companies that it has been an honor to work with such as the prestigious Jaguar. We have followed different paths as our motivations have altered with our experiences. Myself pursuing a career in driving supported by film making and Al committing seemingly every waking hour to making amazing productions.
When I heard rumours of a feature length drift film in the works my ears pricked up and from day 1 I was very intrigued to see what would be the focus of the film. It turns out the motivation was driven by the land of the rising sun, where drifting began.
Several months later and the trailer is released to OUTSIDERS. After watching this there is no doubt in my mind that Al has done it again. Every time we shot a film together I would look forward to the finished article to the point at which I would be bugging him on a daily basis. Fortunately I was able to contain my excitement as the trailer didn’t really elude to any of the exact content of the film or the narrative just that it looked awesome and I definitely wanted to watch it.
Then the 25th of February rolls around and it’s the night of the premier, Driftworks who were in partnership with Trackday Day films to produce and also star in the film hired out a nice little venue in Birmingham. The hometown of Driftworks bought in a small but respectable crowd of die hard drift fans and key people from the scene alike.
After fulfilling the obligatory catch up with a few good friends it was time to go in. Still not knowing what to expect we were greeted by a sizeable cinema screen and we took our seats. Al adopted the position of compare for the evening and I don’t think i’ve ever seen him so nervous. To be fair I don’t blame him, he has put two months worth of editing in to the project regardless of the rest of the preparation that everyone else had gone through to get to this stage. Modestly covering his own back in the introduction with a disclaimer “hopefully it won’t be (insert profanity)” It was time to watch the film.
What I witnessed over the next hour and a half was a beautifully shot, excellently narrated tour of modern drift culture in Japan. Delving in to the motivation behind why we as drifters exist, the compulsion to spend all our money and recklessly endanger ourselves and others around us in an effort to pursue sideways speed. It is exactly what it says, an outsiders perspective into the crazy world of Japan. A personal highlight was the danger points on the likes of BIHOKU pointed out by Mitto, you don’t get to appreciate what the circuits are actually like when you see the one or two camera angles typically broadcast on the internet. The danger is very real and it just goes to further reiterate the skill required to maintain a successful drift with out destroying yourself or the car and also the commitment required. In the film Phil Morrison despite his many years of professional level drifting experience almost has a potentially large accident in a borrowed car providing a small but substantial reality check.
It was a joy to watch and I fully recommend you purchase the dvd as you won’t be disappointed. Drift fan/car fan or even frustrated parent that doesn’t get their kids obsession. It was a great insight that I personally took a lot from.
Even if you hate it, buy it just for the soundtrack. Complimenting the film throughout I was happy to be enjoying it through the
venues extensive sound system.
http://www.driftworks.com/shop/outsiders-collectors-box-set.html
The determination and commitment to excellence from Al Clark and working with the best in the business. Trackday films and Driftworks bring you Outsiders.
I’m off to Japan.
And to top it off a little insight to the film at the Premier, good work Dan Joyce for getting this out. You must not have slept.





